12/28/2023 0 Comments Charm sonic visualiserWith the advent of the metronome, an instrument became available with which one could define the tempo exactly and, as has been well documented, Beethoven made extensive use of this. Even if he did find these “totally impossible” after Beethoven had played him several of the themes at the piano. Anton Schindler reported on Beethoven that whenever a work of his was performed, his first question was always: “ ‘How were the tempi?’ Everything else seemed to be secondary to him.” Sir George Smart, conductor of the English premieres of several of Beethoven’s works including the 9 th Symphony, traveled himself to Vienna in the summer of 1825 in order to receive Beethoven’s exact tempi from him. No matter how you spin it, tempo is an important musical parameter and parameter of musical interpretation. It is with these skeptical words that Robert Schumann begins his discussion of Mendelssohn’s interpretation of Ludwig van Beethoven’s 4 th Symphony, in order to then explain at length the reasons why he felt the tempo of the Scherzo was too slow. Then the faster allegro of the cold carries more weight than the slower of the sanguine.” “You know how little time I have for arguments about tempo and how for me it is the inner rate of movement alone that matters. Everyone Does it That Way ( So machen’s alle) Tempo, Tempo Variations and Tempo Amplitude: Austro-German and Russian/Soviet PianistsĨ. Autograph Tempo in Beethoven’s Hammerklavier Sonata – Practice and TheoryĬ. On the Selection of the Interpretationsĥ. On the Methodology of the Tempo MeasurementsĤ. Tempo and Tempo Variations – A Brief Preliminary Consideration of the Relevance of the Line of QuestioningĢ. Finally to Elisabeth Heil, Katrin Herzog and Lukas Michaelis (all at the SIMPK), who were so kind as to install the text on the SIMPK’s website.īerlin, September 1 st, 2013 and March 3 rd, 2021ġ. Andrew Noble for the translation of the text and to Anne-Kathrin Breitenborn for her work on the graphics. Simone Hohmaier of the SIMPK for her efforts and critical reading of the text, to Dr. Stefan Weinzierl for their generous and active support of this project.Ī special thanks goes to Dr. Thomas Ertelt, and the director of the Audiokommunikation department of the Technische Universität Berlin, Prof. We thank the director of the Staatliches Institut für Musikforschung, Dr. We would like to first thank all of the students of the Audiokommunikation department of the Technische Universität Berlin, who, over the course of several semesters as part of the “Appassionata Project,” contributed to the extensive and time-consuming tempo measurements and their statistical analysis. The text is to be understood as a kind of larger progress report. That this text will not be our last contribution on this subject should go without saying and, given the sheer amount of questions left to be answered, will be apparent to every reader. As their individual, work-specific lines of questioning address issues not handled in the following text, these are also recommended. Preliminary results of the tempo histories of the three sonatas have already been published elsewhere. In so doing we examined a series of factors: Have the tempo and shaping of tempo (‘ Tempogestaltung’) changed over time? Are there national or culture-specific traditions? Can inter-subjective tempo decisions be identified? How had the shaping of tempi by an individual artist developed over the years and decades? What is the relationship between interpretational practice and the recommendations in the editions prepared by celebrated interpreters? 3, Hammerklavier Sonata) in interpretations from the 1920s through the 2000s. As part of a collaborative project between the Staatliches Institut für Musikforschung Preußischer Kulturbesitz and the Audiokommunikation Department of the Technische Universität Berlin, over the course of the last few years we measured – bar by bar – tempi in the first movements of three of Ludwig van Beethoven’s piano sonatas ( Appassionata Sonata, Sonata op.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |